Autumn Equinox 2010 – Stonehenge Celebrations

23 09 2010

Stonehenge Autumn Equinox 2010

 The Autumn Equinox (also known as Mabon) is celebrated when day and night are of equal duration before the descent into increasing darkness and is the final festival of the season of harvest.  For many pagans, this is the time to reflect on the past season, and to recognize the balance of the year has changed.

Although the Summer Solstice at Stonehenge attrackts a large crowd, you may expect the Autumn Equinox celebrations to be less attended, with fewer than 1,000 people showing up.

The 2010 Autumnal Equinox takes place on September 23th, at 4.03am UK time (3.03 UTC), but when ‘open access’ to Stonehenge starts is decided by English Heritage and depends on visibility. The sunrise is at 6.48am, and it is expected access to the stones will be allowed from approximately 6.30 to 8.30am.

Public access to Stonehenge is denied after dark, so if you want to see the sunset on September 22th (18.59pm), you’ll have to stand on either the Avenue or on the side of the A344

The Autumnal Equinox

In September is the Fall Equinox, which has come to be called Mabon by many contemporary Neo-Pagans. Occuring approximately on September 21st, this is the day when the hours of daylight and nighttime are once again balanced. Calender days from now until the Winter Solstice will slowly get shorter and shorter in their daylight hours.

Agriculturally, this time of year the harvest is now in full swing, with late summer and fall fruits, vegetables and grains being gathered up before winter. This is the time of year a lot of canning or preserving of garden foods takes place. Hunting season also starts around this time, and this was when farmers would slaughter animals and preserve meat for the coming months as well.

This holiday is the last of the harvest holidays which began with the summer solstice and continued with Lammas.

  

21st/23rd September Harvest time!
The Autumn Equinox or Harvest Home is also called Mabon, pronounced ‘MAY-bon’, after the Welsh god Mabon ap Modron, which means literally ‘son of mother’. Mabon appears in ‘The Mabinogion’ tale. The Druids call this celebration, Mea’n Fo’mhair, and honour The Green Man, the God of the Forest, by offering libations to the trees. The Welsh know this time as ‘Alban Elfed’, meaning ‘light of autumn’. This is the point of the year when once again day and night are equal – 12 hours, as at Ostara, the Spring Equinox. The Latin word for Equinox means ‘time of equal days and nights’. After this celebration the descent into winter brings hours of increasing darkness and chiller temperatures. It is the time of the year when night conquers day. After the Autumn Equinox the days shorten and nights lengthen. To astrologers this is the date on which the sun enters the sign of Libra, the scales, reflecting appropriately the balanced day and night of the equinox. This was also the time when the farmers brought in their harvested goods to be weighed and sold.
Harvest festival This is the second festival of the season of harvest – at the beginning of the harvest, at Lammas, winter retreated to his underworld, now at the Autumn equinox he comes back to earth. For our Celtic ancestors this was time to reflect on the past season and celebrate nature’s bounty and accept that summer is now over. Harvest Home marks a time of rest after hard work, and a ritual of thanksgiving for the fruits of nature. This is the time to look back on the past year and what you have achieved and learnt, and to plan for the future. The full moon nearest to the Autumn Equinox is called the Harvest Moon and farmers would harvest their crops by then, as part of the second harvest celebration. Mabon was when livestock would be slaughtered and preserved (salted and smoked) to provide enough food for the winter. At the South Pole they will be celebrating the first appearance of the sun in six months. However, at the North Pole they will be preparing for six months of darkness. During Medieval times, the Christian Church replaced Pagan solstices and equinox celebrations with Christianized occasions. The Autumn equinox celebration was Michaelmas, the feast of the Archangel Michael.

The triple Goddess – worshipped by the Ancient Britons, is now in her aspect of the ageing Goddess and now passes from Mother to Crone, until she is reborn as a youthful virgin as the wheel of nature turns. At the Autumn equinox the goddess offers wisdom, healing and rest. Mabon Traditions The Wicker man There was a Celtic ritual of dressing the last sheaf of corn to be harvested in fine clothes, or weaving it into a wicker-like man or woman. It was believed the sun or the corn spirit was trapped in the corn and needed to be set free. This effigy was usually burned in celebration of the harvest and the ashes would be spread on the fields. This annual sacrifice of a large wicker man (representing the corn spirit) is thought by many to have been the origin of the misconception that Druids made human sacrifices. ‘The reaping is over and the harvest is in, Summer is finished, another cycle begins’ In some areas of the country the last sheaf was kept inside until the following spring, when it would be ploughed back into the land. In Scotland, the last sheaf of harvest is called ‘the Maiden’, and must be cut by the youngest female in attendance.
To Autumn O Autumn, laden with fruit, and stained With the blood of the grape, pass not, but sit Beneath my shady roof, there thou may’st rest, And tune thy jolly voice to my fresh pipe; And all the daughters of the year shall dance, Sing now the lusty song of fruits and flowers. William Blake Mabon is a time to reflect, as we reap the harvest of experience from the past year – the completion of another turn of the Great Wheel. Corn Dollies Corn dollies were also made from the last sheaf and kept in the house to protect the inhabitants from bad spirits during the long winter. Apples To honour the dead, it was also traditional at Mabon to place apples on burial cairns, as symbolism of rebirth and thanks. This also symbolizes the wish for the living to one day be reunited with their loved ones. Mabon is also known as the Feast of Avalon, deriving from the meaning of Avalon being, ‘the land of the apples’.

Merlin @ Stonehenge – A good time by all…….
The Stonehenge Stone Circle Website





New Avebury to Stonehenge walk could rival Hadrian’s Wall

23 09 2010

The Great Stones Walk
A new long-distance footpath from Avebury Stone Circle to Stonehenge could topple Hadrian’s Wall as the UK’s most popular walking attraction.

The pathway is being planned by the Friends of the Ridgeway, who want to widen their focus beyond the National Trail.

Ian Ritchie, chairman of the Friends, told members of the Marlborough Area Board last week that the walk could pump an estimated £6 million into the local economy.

Mr Ritchie, who lives at Ramsbury, explained that the 29 mile Great Stones Walk connecting the two World Heritage Sites would pass through some of the best archaeological and historic sites in Britain.

He said: “This route has real historical integrity and goes by and through a wealth of archaeological and historic sites.

“It could become the première historical walking route in England held by Hadrian’s Wall at the moment.”

As well as being an international attraction for walkers, it would bring a welcome boost to the ailing rural economy.

Mr Ritchie said: “It will bring something like £6 million into the local economy, supported by the experience of the Hadrian’s Wall path, and create about 100 full-time or part-time jobs.”

The Friends estimate the walk would attract between 200,000 to 400,000 extra visitors a year and say consultations are taking place with landowners and parish councils along the route.

Later Mr Ritchie told the Gazette that the new path would link existing footpaths, bridleways and rights of way.

The cost of improving the route to National Trail standards has been estimated at about £105,000 and Mr Ritchie said it was hoped that much of the funding would come from the Salisbury Plain and North Wessex Downs AONB groups.

The area board meeting gave the new walk proposal its unanimous backing.

Merlin @ Stonehenge
The Stonehenge Stone Circle Website





Stonehenge Winter Solstice – 22nd December 2010

22 09 2010

Last year saw a large number of people (including Druids) turn up at Stonehenge on the wrong day in 2009?  I thought I would clarify the correct ‘Winter Solstice’ day for 2010 to save any embaresment.  The summer solstice is always on the 21st, however the winter solstice can fall on the 21st or the 22nd.  The celebration does not always fall on the same date as the solstice because the modern year does not correspond precisely to the solar one.

The exact time for the Winter Solstice is December 21st, 11.39pm (UK time). The sunset on the 21st is at 3.53pm and the sunrise on the 22nd of December at 8.04am. Exceptionally, you can also expect a full moon on December 21th.

English Heritage did not confirm the date for Open Access for Stonehenge for the Winter Solstice yet, but most likely this will be dawn on the 22nd of December. (The sunrise on the 22nd is closer to the actual solstice than that on the 21th of December.) Expect a short period of access, from approximately 7.30 to 9.00am

Stonehenge is carefully aligned on a sight-line that points to the winter solstice sunset (opposed to New Grange, which points to the winter solstice sunrise, and the Goseck circle, which is aligned to both the sunset and sunrise). It is thought that the Winter Solstice was actually more important to the people who constructed Stonehenge than the Summer Solstice. The Winter Solstice was a time when most cattle were slaughtered (so they would not have to be fed during the winter) and the majority of wine and beer was finally fermented.

Gerald Hawkins’ work

Gerald Hawkins’ work on Stonehenge was first published in Nature in 1963 following analyses he had carried out using the Harvard-Smithsonian IBM computer. Hawkins found not one or two alignments but dozens. He had studied 165 significant features at the monument and used the computer to check every alignment between them against every rising and setting point for the sun, moon, planets, and bright stars in the positions they would have been in 1500 BC. Thirteen solar and eleven lunar correlations were very precise against the early features at the site with precision falling during the megalithic stages. Hawkins also proposed a method for using the Aubrey holes to predict lunar eclipses by moving markers from hole to hole. In 1965 Hawkins wrote (with J. B. White) Stonehenge Decoded, which detailed his findings and proposed that the monument was a ‘Neolithic computer’.

Stonehenge – An Asronimical Calandar

Stonehenge features an opening in the henge earthwork facing northeast, and suggestions that particular significance was placed by its builders on the solstice and equinox points have followed. For example, the summer solstice sun rose close to the Heel Stone, and the sun’s first rays shone into the centre of the monument between the horseshoe arrangement. While it is possible that such an alignment can be coincidental, this astronomical orientation had been acknowledged since William Stukeley drew the site and first identified its axis along the midsummer sunrise in 1720.

Stukeley noticed that the Heel Stone was not precisely aligned on the sunrise. Year to year, the movement of the sun across the sky appears regular. However, due to temporal changes in obliquity of the ecliptic, illumination declinations change with time. The purported Heel Stone alignment with summer solstice sunrise would have been less accurate four to five thousand years ago. The Heel Stone, in fact, is located at 1/7th of circumference from due North, as noted by archaeologist James Q. Jacobs.[3] Stukeley and the renowned astronomer Edmund Halley were to attempt what amounted to the first scientific attempt to date a prehistoric monument. Stukeley concluded the Stonehenge had been set up “by the use of a magnetic compass to lay out the works, the needle varying so much, at that time, from true north.” He attempted to calculate the change in magnetic variation between the observed and theoretical (ideal) Stonehenge sunrise, which he imagined would relate to the date of construction. Their calculations returned three dates, the earliest of which, 460 BC, was accepted by Stukeley. That was incorrect, but this early exercise in dating is a landmark in field archaeology [4]. .

Early efforts to date Stonehenge exploited tiny changes in astronomical alignments and led to efforts such as H Broome’s 1864 theory that the monument was built in 977 BC, when the star Sirius would have risen over Stonehenge’s Avenue. Sir Norman Lockyer proposed a date of 1680 BC based entirely on an incorrect sunrise azimuth for the Avenue, aligning it on a nearby Ordnance Survey trig point, a modern feature. Petrie preferred a later date of AD 730. The necessary stones were leaning considerably during his survey, and it was not considered accurate.

Neolithic Computer

An archaeoastronomy debate was triggered by the 1963 publication of Stonehenge Decoded, by British-born astronomer Gerald Hawkins. Hawkins claimed to observe numerous alignments, both lunar and solar. He argued that Stonehenge could have been used to predict eclipses. Hawkins’ book received wide publicity, in part because he used a computer in his calculations, then a rarity. Archaeologists were suspicious in the face of further contributions to the debate coming from British astronomer C. A. ‘Peter’ Newham and Sir Fred Hoyle, the famous Cambridge cosmologist, as well as by Alexander Thom, a retired professor of engineering, who had been studying stone circles for more than 20 years. Their theories have faced criticism in recent decades from Richard J. C. Atkinson and others who have suggested impracticalities in the ‘Stone Age calculator’ interpretive approach.

There are a few tour companies offering Stonehenge Tours during the Solstice period.  Try the Stonehenge Tour Company, Best Value Tours, Salisbury Guided Tours and Premium Tours 

See you all at the Winter Sostice

Merlin @ Stonehenge
The Stonehenge Stone Circle Web site





Megalithic Poems – The stones are great

22 09 2010

The stones are great
And magic power they have
Men that are sick
Fare to that stone
And they wash that stone
And with that water bathe away their sickness

 

Indeed the stones are great, and certainly have had the power to capture the imagination of poets and artists through the centuries.

On the 21 September 2005, the heritage journal  started the anthology of Megalithic Poems, a colleague warned that we’d be hard pressed to find even half a dozen on the theme of the megalithic structures and prehistoric sites of Britain, Ireland and the European continent. Five years on and there are now some 300 poems on the blog, and an equal number of drawings, paintings, prints or photographs to accompany them.

The poems stretch over a period of some eight hundred years; from Laymon’s poem, Brut (above), of 1215 describing Stonehenge, to poems written only a few months ago. What does this tell us? Well, perhaps that not only have these structures inspired poets like Blake and Wordsworth (as well as artists such as Constable and Turner) down through the ages but also that this marvellous, mysterious megalithic heritage of ours continues to inspire us even today.

At a time when so much of our heritage is at risk through development and mismanagement (Tara in Ireland for example, even Stonehenge and Avebury) perhaps these poems, and the images that accompany them, will continue to inspire those who would take time out from busy lives to visit and ponder upon this often overlooked aspect of our heritage. Not only that, hopefully this anthology will also act as a warning that these places, built by our forefathers millennia ago, are in constant need of our care and attention lest, after thousands of years having, “…brav’d the continual assaults of weather…” (William Stukeley) they are finally lost for all time through the greed, ignorance and insensitivity of the 21st century.

Since September 2005 we’ve added many more poems and images on the megalithic theme in the hope that they’ll become a useful resource for those interested in the poetry, art and the history of our megalithic past – none of which would appear on the blog without the remarkable efforts and creativity of those who have written about megaliths or portrayed them in their work – not forgetting of course those who originally conceived and built these amazing structures!  To everyone, a very big thank you. We hope you will find as much pleasure browsing through the anthology as we have taken in compiling it.

Merlin @ Stonehenge
The Stonehenge Stone Circle Website





Stonehenge Ale – A Taste for Crop Circles

16 09 2010

A subject very close to my heart, Beer!

THE Stonehenge Ales brewery at Netheravon has come up with a new beer in honour of the many crop patterns that appear in Wiltshire fields each summer.

Stig and Anna Marie Andersen, who took over the independent brewery from its founder Tony Bunce in 1993, are fascinated by the weird and wonderful shapes that show up each year.

Mrs Andersen is studying fine art at Winchester College and said that, regardless of whether the crop patterns were man-made or not, they had become an art form in their own right, attracting tourists from all over the world.

The new beer reaches local pubs this week and is called Glyph, a name chosen by Mrs Andersen as it represents the hieroglyphs the crop patterns might or might not be although their messages so far remain undeciphered.

The logo on the Glyph beermats shows the pictogram dubbed Led Zeppelin that appeared in fields at Alton Barnes 20 years ago.

“Now, 20 years on, the new beer Glyph, manifests itself at Stonehenge Ales in celebration of that formation,” said Mrs Andersen.

The new light amber beer, which has an ABV of 4.5 per cent, also has one mystical ingredient – aromatic Chinook hops grown on the tribal lands in America of the Chinook tribe.

From each batch of Glyph produced the brewery will be making a donation to the Crop Circle Connector web site, which Mrs Andersen said was an independent site respected worldwide.

You guessed it, not alot of Stonehenge news this month,  Watch this space………………

There are still a number of crop circles in maize in the vicinty of Stonehenge and Avebury.  I met up with a local guide working for HisTOURies  UK yesterday who showed me some incredible images.  Yes we did have a pint of ‘Croppies’ together in the Alton Barnes Barge Inn.  (Crop Circle central)

Merlin @ Stonehenge
The Stonehenge Stone Circle Website





Clonehenge – Bonsai style.

5 09 2010

Bonsai Stonehenge–Yes, It’s Salisbury But It Isn’t Plain!

Photo courtesy of Salisbury Newspapers www.journalphotos.co.uk

No one does a Stonehenge like the locals! Above we see bonsai hengers (wouldn’t Bonsai Hengers be a great name for a rock band?!) and gardener/artists Tony Oswin & Wilf Colston with their prize-winning creation at the Salisbury Community Show recently–a charming Stonehenge model landscaped with bonsai trees and a bit of whimsy.

We have to say this is one of the finest and prettiest Stonehenge models we have seen! True, the landscape around it is not true-to-life, but we see no reason English Heritage shouldn’t run out and make it so. It would cost a great deal less than not putting in the tunnel and not putting in the new visitor centre has cost them so far!

The photo above, used courtesy of the Salisbury Bonsai Society, to which the gentlemen belong, shows the thought that must have been put into the Stonehenge section of the display. The stones themselves were cast in molds to make blocks all the same size and then hand carved with a knife and painted. No buying a little Stonehenge kit and quickly standing the plastic pieces in a circle for these fellows!* Care has been taken to make the assemblage resemble the original. We’re impressed!

Score: 8 druids! (New readers–no we do not believe druids built Stonehenge. Our scoring is a bit of a joke.) That’s very good for a small model. Mr. Oswin and Mr. Colson now have Clonehenge score bragging rights. That and £3 will get you a cup of coffee at Starbucks. Unless prices have gone up!

We want to thank Matt Penny, aka @salisbury_matt , friend of the blog, Salisbury and Stonehenge enthusiast, and perpetrator of the Salisbury and Stonehenge website for spotting this Stonehenge replica and sending us a link. We count on you, alert readers! Here’s a deal: you keep sending us Stonehenge replicas and we’ll keep wasting your time with our drivel! We promise.

Merlin @ Stonehenge
Stonehenge Stone Circle News Website and Blog





Secret Sounds of Stonehenge

30 08 2010

Trevor Cox reveals how the acoustic footprint of the world’s most famous prehistoric monument was measured 

 Echoes of the past: The sites and sounds of prehistory Just after sunrise on a misty spring morning last year, my fellow acoustician at the University of Salford, Bruno Fazenda, and Rupert Till of the University of Huddersfield, UK, could be found wandering around Stonehenge popping balloons. This was not some bizarre pagan ritual. It was a serious attempt to capture the “impulse response” of the ancient southern English stone circle, and with it perhaps start to determine how Stonehenge might have sounded to our ancestors. An impulse response characterises all the paths taken by the sound between its source – in this case a popping balloon – and a microphone positioned a few metres away. It is simply a plot of the sound pressure at the microphone in the seconds after the pop. The first, strongest peak on the plot represents the sound that travelled directly from the source to the microphone. Later, smaller peaks indicate the arrival of reflections off the stones. The recording and plot shows the impulse response Bruno and Rupert measured with a microphone positioned at the centre of Stonehenge and a popping balloon at the edge of the circle. This impulse response represents an acoustic fingerprint of the stones. Back in the lab, it can be used to create a virtual rendition of any piece of music or speech as it would sound within the stone circle. All that is needed is an “anechoic” recording of the raw music or speech – a recording made in a reflection-free environment such as the open air or, better, a specialist anechoic chamber such as we have at Salford. The anechoic recording and the impulse response can then be combined using a mathematical operation called convolution. We’ve done with with a recording of drumming: here is the anechoic original, and here it is convolved with the measured impulse response of Stonehenge. The difference is easily appreciable: there is more reverberation or ringing to the drumming sound thanks to the reflections off the stones. What’s more, the tonal balance of the sound is entirely different: it has become much deeper, as if the treble has been turned down.

Replica henge The popping of a balloon is not the standard or best way to measure an impulse response, but more sophisticated equipment was not allowed at Stonehenge. At a full-size replica of the monument at Maryhill, Washington state, however, Bruno and Rupert were able to use powerful loudspeakers and special test signals to get more accurate results. Maryhill also has the advantage that it is complete, whereas some of the stones of Stonehenge have fallen or disappeared over the years. That makes a noticeable difference to the drum sounds convolved with Maryhill’s impulse response: the more complete stone circle makes the sound echo for longer, with the extended reverberation being most noticeable after the last drum. Over many decades, a sophisticated understanding of how to interpret impulse responses has been built up. For example, we now know how features within the impulse response, such as the time it takes for reverberations to die away, relate to peoples’ perceptions of the nature of the sound. The hope is that by applying that expertise to ancient monuments such as Stonehenge, we can better appreciate their acoustical effects on our ancestors –and perhaps begin to answer the question whether these effects were the product of accident or design.

Sounding stones

We also know that our ancestors appreciated their ability to exploit their environment to make sound early on. The discovery of three flutes in 2009 in a cave in south-west Germany, the best preserved of them made from a vulture’s wing bone and containing five finger holes, pushes the origins of music back to the middle Palaeolithic era, 40,000 years ago.

Lithophones or rock gongs- stones that create a tone when hit- are found around the world. A cave at Fieux à Miers in the Midi-Pyrénées region of the south of France contains a 2-metre-tall feature which resonates like a gong when struck. Recalcified fractures on the lithophone indicating where it was struck can be dated back to the upper Palaeolithic, around 20,000 years ago (Oxford Journal of Archaeology, vol 4, p 31). Outdoor examples include Kupgal Hill in Karnataka state, southern India, where an outcrop of dolerite boulders emits loud ringing tones when hit with granite stones. Nicole Boivin of the University of Oxford suggests that shamans might have used the rock gongs during formal rituals. Dating the wear marks in boulders is impossible, but the presence of Neolithic rock art indicates that the site was used for many thousands of years (Antiquity, vol 78, p 38).

Imagery such as cave paintings, markings or etchings also provides tantalising clues to how prehistoric humans might have exploited their surroundings to make sound. Iegor Reznikoff of Nanterre University, Paris, has examined the caves of Rouffignac in the south of France and showed that paintings are located where the most interesting sound effects are heard. Devereux, in his book Stone Age Soundtracks, cites numerous other examples around the globe of seemingly premeditated placing of petroglyphs or pictographs, including sites where art is painted on concave rock walls that give distinct echoes.

Merlin @ Stonehenge
The Stonehenge Stone Circle Website





Stonehenge Tourism update

19 08 2010

“So what are we going to do about it?” Here’s one answer, David
Delighted to see that David Cameron is such a strong supporter of tourism. We have a long way to go to break the cultural snobbery that separates the staples of the UK industry – catering, accommodation, tour guides, campsites, postcards, guidebooks, souvenirs and so on – from middle class respectability. It’s better than it was, but sometimes it seems that the shame of engagement can only be tempered by calling it art, and littering the countryside with half-baked works whose cost might have been more creatively and productively deployed by addressing the needs of tourists instead of interfering with their experiences.

Anyway, as Cameron said in his speech yesterday, “Tourism is a fiercely competitive market, requiring skills, talent, enterprise and a government that backs Britain”. This was set in the context of the 2012 Olympics – as was the new visitor centre for Stonehenge when proposed by the last government.

What with Snowdonia, Devon and Cornwall, the Lake District, Norfolk, the Inner Hebrides, the Highlands of Scotland, the canals of Staffordshire, Oban, Llandudno, Torquay, Deal, “our historic monuments, our castles, country houses, churches, theatres and festivals… beautiful beaches… national parks, our hundreds of historic gardens and national network of waterways… our museums [including the British Museum, the National Gallery and the [sic] Tate Modern]… Glyndebourne and Glastonbury… the Bristol Old Vic and the Edinburgh Fringe. The Bodleian Library and the Hay literary festival. Ascot and the Millennium Stadium; Nelson’s column and the Olympic Park’s Orbit” – phew! – Cameron had no time to mention Stonehenge.

But I’m sure he had Stonehenge in mind, not least when he praised John Penrose, minister for tourism and heritage for the skills he brings to the job. After the Treasury took such pleasure in June in claiming to cancel the Stonehenge project – an action in fact not within its powers – it was sensitive of Cameron to avoid mentioning the stones. So let’s say it for him.

• Stonehenge is one of the world’s most recognisable icons of cultural history (“When I asked what England meant to them, the answers went: Stonehenge, Harry Potter, fish and chips…”: Blake Morrison talking to Japanese schoolgirls in 2002).

• Stonehenge is one of the UK’s most popular and must-see tourist destinations, attracting around a million visitors a year, of whom 50–60% are international.

• Stonehenge’s present state has long been agreed by parliament and international commentators to be a disgrace.

• An imaginative, creative plan to transform visitors’ experiences – from access and parking to a new museum, toilets and cafe – and Stonehenge itself, by removing roads nearby, has planning consent and is ready to start.

• This plan was designed to be cheap and cost-effective by the previous government, after it dropped a more ambitious scheme, and ready in time for the 2012 Olympics. But now that the Treasury has withdrawn its promise of £10m, it needs new sources of funding to happen.

• Stonehenge is Stonehenge. Picture Post put it on its cover in 1947 to lead an issue devoted to the post-war crisis. Stonehenge could now be a symbol for us and the world, of reflection, regeneration and creativity in the face of  the modern crisis.

“Can we seize the opportunity”, said Cameron, “of this great decade of sport – and especially the Olympics – to deliver a lasting tourism legacy for the whole country and not just here in London?”

Stonehenge awaits.  Mike Pitts

Merlin @ Stonehenge
The Stonehenge Stone Circle Website





Tonight at Stonehenge will be best night in five years to view spectacular Perseids meteor shower

12 08 2010

Stonehenge Landscape in Wiltshire – Step back in time and discover the ancient skies of Salisbury Plain’s chalk downlands, home to the impressive prehistoric stone monument
It is also one of the most awe-inspiring sights in the heavens that you can view from your own back garden.

And now scientists say that star-gazers are in for a treat this week with clear skies expected to give fantastic views of the spectacular Perseids meteor shower.

Experts say that with the moon in its ‘new’ phase and clear skies this week could mean that it’s the best year since 2007 to catch the spectacular show.

The annual Perseids meteor shower ) at Friars Crag, Derwentwater, Keswick, Cumbria in 2008. Astronomers predict this year will be the best display yetThe annual Perseids meteor shower ) at Friars Crag, Derwentwater, Keswick, Cumbria in 2008. Astronomers predict this year will be the best display yet

The phenomenon, which happens each summer as the Earth’s orbit takes it through debris scattered by the tail of Comet Swift-Tuttle is expected to peak on Thursday night.

Amateur astronomers were left disappointed last year after clouds ruined the expected view.

The Taurids are named after the constellation Taurus, because their paths can be traced from that area of sky.

On the night of the 12 August the new moon’s thin crescent will have set in the early evening, leaving a dark sky for the meteor shower, promising a stunning show of shooting stars.

For the best views, star gazers are advised to escape the city lights and head out to the big open and dark skies of the countryside where the stars and meteors will be at their brightest.

SEVEN BEST PLACES IN UK FOR SEEING THE PERSEIDS

Black Down in Sussex – Get closer to the stars on the highest point in the South Downs, just over a mile from the town of Haslemere

Teign Valley in Devon – Discover the stars at this Trust property within Dartmoor National Park and close to Castle Drogo

Penbryn Beach in Wales – Beautiful, unspoilt mile-long beach on the Ceredigion coast in west Wales, great for a bit of star gazing and a late night paddle

Stonehenge Landscape in Wiltshire – Step back in time and discover the ancient skies of Salisbury Plain’s chalk downlands, home to the impressive prehistoric stone monument

Wicken Fen National Nature Reserve in Cambridgeshire – Close to historic Ely, the wild landscape of the National Trust’s oldest nature reserve offers dark skies and a wealth of nocturnal wildlife to listen out for

Mam Tor in Derbyshire – Escape the bright city lights of Sheffield and experience the peace and tranquillity of Mam Tor’s dark skies in the Peak District

Friar’s Crag in Cumbria – Surrounded by the breathtakingly beautiful scenery of the Lake District, Friar’s Crag in Keswick juts out into the spectacular lake of Derwentwater

The Met Office is predicting that the clearest skies on Thursday night are likely to be in southern and western parts of England and Wales.

Nasa scientists also claim that this ‘promises to be one of the best displays of the year.’

‘If forecasters are correct, the shower should produce a peak display of at least 80 meteors per hour,’ they say.

Jo Burgon, Head of Access and Recreation at the National Trust, said: ‘Seeing the stars in  their full splendour, shining bright in the sky above you, is one of the unofficial wonders of the natural world. 

‘The intrusive glow of street lighting or a bright moon can be detrimental to a good meteor experience.

‘But with a good weather forecast, this year’s Perseids display could be a cracker, and not one to be missed.’

Some of the locations highlighted in the National Trust guide include the dramatic landscape around the world famous Stonehenge in Wiltshire and Mam Tor in the Peak District, high above Sheffield and only a short distance from the city of steel.

Jo Burgon, added: ‘Its worth spending the time to find the perfect spot to gaze up at the stars; as once you’re there looking into the night sky it will take your breath away.

‘And the best thing is that it won’t cost you a penny and this star time will always stay with you as one of those experiences that money can’t buy.

Emily Winterburn, author of The Stargazer’s Guide, said: ‘The Perseids are a great meteor shower to watch. 

‘The nights aren’t too cold and for once, thanks to the moon, the summer nights are dark enough to make even the dimmer meteors visible to the naked eye.’ 
As usualy Histouries UK Tours will be operating guided tours of Stonehenge and Avebury tonight, I joined them last year and it was awesome!

Merlin @ Stonehenge
The Stonehenge Stone Circle Website





Stonehenge Comedy

27 07 2010

I did promise a few laughs along the way…..
Hope you like this classic Eddie Izzard comedy sketch of Stonehenge (18+)

Merlin @ Stonehenge
The Stonehenge Stone Circle Website