Leap Year Lark – Stonehenge Landscape Tour 29th February

29 02 2012

Make the most of your extra day with a lovely long walk in the outdoors!

Celebrate the leap year with a walk in the Neolithic and Bronze Age Stonehenge landscape. Your guide will take you on a circuit of around 5 miles over the downs, exploring some of the less visited monuments that together form the Stonehenge World Heritage Site. Bring your binoculars and keep an eye out for hares and winter birds too.
We’re meeting in the Stonehenge Car Park SP4 7DE (not NT), at the two ‘touching stones’ at the top of the slope that leads down towards the Stonehenge Cafe. Please dress for the weather and wear stout footwear. Wrap up warm – it gets chilly up on the downs! Access is by pedestrian and farm gates; the terrain is mostly grassland and trackways, uneven underfoot.
Accessible W.C. in car park. Accompanied children welcome, free. Dogs on leads welcome.
Booking Essential 0844 249 1895. A 5% booking fee applies. Phone lines are open Mon to Fri 9am-5.30pm, plus Sat and Sun 9am-4pm.
Stonehenge Landscape
Amesbury, Salisbury
Wiltshire
SP4 7DETel: +44 (0) 844 249 1895

Day Opening Times
Wednesday 11:00 – 15:00

SPONSORED BY ‘THE STONEHENGE TOUR COMPANY’ – WWW.STONEHENGETOURS.COM

Merlin says “Get some fresh air and enjoy the Wilstshire Landscape – next one in 4 years”

Merlin @ Stonehenge





STONEHENGE: UNCOVERED – February 24th 2012

22 02 2012

Unlock the secrets of Stonehenge and the surrounding sites in this exclusive walking tour led by English Heritages’ Properties Historian Susan Greaney.Visit the World Heritage Site and key archaeological areas in this fascinating landscape. Along the way, gain an exclusive insight into the new and exciting discoveries made by recent research projects carried out in the area and discover for yourself more about this special landscape.
Stonehenge HOW TO BOOK

Purchase your tickets today by calling our dedicated Ticket Sales Team on            0870 333 1183       (Mon – Fri 8.30am – 5.30 Sat 9am – 5pm). Please note: Booking tickets for this event is essential as places are limited

Link: http://www.english-heritage.org.uk/daysout/events/stonehenge-uncovered-s-24-feb/

Sponsored by ‘The Stoneheng Tour Company’ http://www.StonehengeTours.com

Merlin say “You have to be an English Heritage member for this tour but its well worth joining”

Merlin @ Stonehenge 





Was Stonehenege built for sound effects?

17 02 2012

The origins of Stonehenge have long baffled historians – was it intended as a monument for the dead, a celestial observatory, a place or healing?

The widely accepted theory is that the arrangement of pillars at Stonehenge is related to the positioning of the Sun at the equinoxes Photo: ALAMY

The widely accepted theory is that the arrangement of pillars at Stonehenge is related to the positioning of the Sun at the equinoxes Photo: ALAMY

But now a US researcher has come up with an intriguing new theory, claiming that the ancient stones were actually arranged to create a special sound effect.

Steven Waller said the ordering of stones at the rock monument in Wiltshire could be an attempt to recreate a sound illusion known as an “interference pattern” during prehistoric pipe-playing rituals.

The effect happens when two sounds clash, and results in some people hearing a louder noise and some a softer noise, depending on where they stand in relation to the source.

People taking part in a ritual dance around a pair of pipers would have heard the music unexpectedly grow quieter as they moved past certain spots due to this natural phenomenon, Mr Waller said.

This would have created the illusion that the sound was intermittently being muffled by invisible obstacles as the dancers circled the pipers, he said.

Speaking at the American Association for the Advancement of Science (AAAS) annual meeting in Vancouver on Thursday, Mr Waller, an independent California-based researcher, said it could be a desire to recreate this natural phenomenon that provided the “blueprint” for the stone circle.

Although it remains a puzzle why our ancestors built Stonehenge, the theory contradicts the most widely accepted assertion that the arrangement of the pillars is related to the positioning of the Sun at the equinoxes.

When sound waves clash they either reinforce each other, making the noise louder, or cancel each other out, depending on the exact point at which the waves meet.

If two sound sources are positioned near one another, they will sound noticeably louder from some angles but quieter from others.

Mr Waller said: “Ancient people had myths about echos being spirits in rock. If they heard interference patterns, that would have been a mysterious thing they would have been unable to explain.

“I think they were experiencing this illusion, thinking it was magic pillars, and then constructed the actual structure.”

Mr Waller tested his theory by blindfolding three school pupils and moving them in a circle around a pair of pipes each playing the same note.

When asked to draw the field they had been in, most students sketched a series of pillars which they imagined had been responsible for blocking the sound at certain points, and which resembled the layout of Stonehenge.

Three blindfolded University of California students who took part in a similar test also believed that obstacles had been responsible for blocking the sound.

Mr Waller said: “It is unlikely this relationship is merely coincidental, because a number of megaliths are named ‘Pipers Stones’.

“There is a legend that two magic pipers led maidens into a field and enticed them to dance to music in a circle. And the pipers all turned to stone.”

Mike Pitts, editor of British Archaeology and a leading expert on Stonehenge, said researchers had established that the stone circle was built over several centuries and “Wasn’t thought up overnight”.

He said: “There is no question it’s main axis is aligned along the mid-summer sunrise and mid-winter sunset and there is widespread agreement that it was used for cremation burials.

“However, I don’t think you’ll find many archaeologists who know about Stonehenge giving this particular acoustic theory a lot of time.”

Source: http://www.telegraph.co.uk/culture/art/architecture/9086555/Was-Stonehenege-built-for-sound-effects.html

Sponsored by ‘The Stonehenge Tour Company”  www.StonehengeTours.com
Merlin @ Stonehenge

 

 





Stonehenge was based on a ‘magical’ auditory illusion, says scientist

17 02 2012

The layout of Stonehenge matches the spacing of loud and quiet sounds created by acoustic interference, new theory claims

Two flutes playing the same continuous note set up a pattern of interference that apparently echoes the layout of Stonehenge. Photograph: Jason Hawkes/Getty

Two flutes playing the same continuous note set up a pattern of interference that apparently echoes the layout of Stonehenge. Photograph: Jason Hawkes/Getty

The Neolithic builders of Stonehenge were inspired by “auditory illusions” when they drew up blueprints for the ancient monument, a researcher claims.

The radical proposal follows a series of experiments by US scientistSteven Waller, who claims the positions of the standing stones match patterns in sound waves created by a pair of musical instruments.

Waller, an independent researcher in California, said the layout of the stones corresponded to the regular spacing of loud and quiet sounds created by acoustic interference when two instruments played the same note continuously.

In Neolithic times, the nature of sound waves – and their ability to reinforce and cancel each other out – would have been mysterious enough to verge on the magical, Waller said. Quiet patches created by acoustic interference could have led to the “auditory illusion” that invisible objects stood between a listener and the instruments being played, he added.

To investigate whether instruments could create such auditory illusions, Waller rigged two flutes to an air pump so they played the same note continuously. When he walked around them in a circle, the volume rose, fell and rose again as the sound waves interfered with each other. “What I found unexpected was how I experienced those regions of quiet. It felt like I was being sheltered from the sound. As if something was protecting me. It gave me a feeling of peace and quiet,” he said.

To follow up, Waller recruited volunteers, blindfolded them, and led them in a circle around the instruments. He then asked participants to sketch out the shape of any obstructions they thought lay between them and the flutes. Some drew circles of pillars, and one volunteer added lintels, a striking feature of the Stonehenge monument.

“If these people in the past were dancing in a circle around two pipers and were experiencing the loud and soft and loud and soft regions that happen when an interference pattern is set up, they would have felt there were these massive objects arranged in a ring. It would have been this completely baffling experience, and anything that was mysterious like that in the past was considered to be magic and supernatural.

“I think that was what motivated them to build the actual structure that matched this virtual impression. It was like a vision that they received from the other world. The design of Stonehenge matches this interference pattern auditory illusion,” said Waller, who described his research at a meeting of the American Association for the Advancement of Science in Vancouver.

“It’s not a complete structure now but there is a portion of the ring that still has the big megaliths arranged in the circle. If you have a sound source in the middle of Stonehenge, and you walk around the outside of the big stones, what you experience is alternating loud and soft, loud and soft, loud and soft as you alternately pass by the gaps and the stone, the gaps and the stone,” he added.

“So the stones of Stonehenge cast acoustic shadows that mimic an interference pattern.”

Waller argues that his findings are not mere coincidence and says local legend offers some support for his thesis. Some megaliths are known as pipers’ stones, while stories tell of walls of air forming an invisible tower, and two magical pipers that enticed maidens to dance in a circle before they turned to stone.

Stonehenge was built in several stages, with the lintelled stone circle constructed around 2,500 BC. The site was originally a burial ground, but may also have been a place for healing.

In 2009, Rupert Till, a music expert at Huddersfield University, used a full-scale replica of Stonehenge and computer analyses to show that repetitive drum beats and chanting would have resonated loudly between the standing stones.

Timothy Darvill, professor of archaeology at Bournemouth University, said that while sound played an important role in events at Stonehenge, the monument was probably not designed with acoustics in mind.

“The main structure is a replica in stone of what was normally built in wood,” he said. “They used the same techniques. The positioning of the main components is all about the construction of a framework, a building if you like, as the setting for ritual adventures that included the use of the bluestones brought over from Wales.”

Source: http://www.guardian.co.uk/science/2012/feb/16/stonehenge-based-magical-auditory-illusion?newsfeed=true

Sponsored by ‘The Stonehenge Tour Company’ http://www.StonehengeTours.com

Merlin says “Trippy stuff man………”

Merlin at Stonehenge 
The Stonehenge Stone Circle Website 

 





Stonehenge Tour – Ancient ceremonial landscape of great archaeological and wildlife interest

16 02 2012

Explore the wider Stonehenge World Heritage Site with a guide and discover hidden histories, ancient mysteries and winter wildlife. February 18th 2012

Stonehenge landscapeWithin the Stonehenge World Heritage Site, the National Trust manages 827 hectares (2,100 acres) of downland surrounding the famous stone circle.

Walking across the grassland, visitors can discover other prehistoric monuments, including the Avenue and King Barrow Ridge with its Bronze Age burial mounds.

Nearby, Winterbourne Stoke Barrows is another fascinating example of a prehistoric cemetery. While Durrington Walls hides the remains of a Neolithic village.

The best approach to the famous stone circle is across Normanton Down, a round barrow cemetery dates from around 2600 to 1600BC.





Stonehenge Summer Solstice Celebrations 2012 – June 20th / June 21st

15 02 2012

English Heritage are again expected to provide “Managed Open Access” to Stonehenge for the Summer Solstice. Please help to create a peaceful occasion by taking personal responsibility and following the conditions (see below).

Please note that a high volume of traffic is anticipated in the Stonehenge area on the evening of Wednesday 20th June. The car park (enter off the A303 from the roundabout – it’s signposted) will open at around 7pm on Wenesday 20th June, and close at around noon on Thursday 21st June.
Note that last admission to the car park for vehicles is at around 6am. Access Access to the stones themselves is expected to be from around 8.30pm on Wednesday 20th June until 8am on Thursday 21st June.

Stonehenge Summer Solstice

There’s likely to be casual entertainment from samba bands & drummers but no amplified music is allowed. When you visit Stonehenge for the Solstice, please remember it is a Sacred Place to many and should be respected. Van loads of police have been present in the area in case of any trouble, but generally a jovial mood prevails. Few arrests have been made in previous years, mostly in relation to minor drug offences.

Facilities Toilets and drinking water are available and welfare is provided by festival welfare services. There are normally one or two food and drink vans with reasonable prices but huge queues, all well away from the stones themselves.

Sunrise is at around 5.14am.- in 2012

Conditions Rules include no camping, no dogs, no fires or fireworks, no glass bottles, no large bags or rucksacks, and no climbing onto the stones. Please use the bags given free on arrival and take them out, filled with your litter, to the skips provided.

Please respect the rules so that we’re all able to enjoy the solstice morning at Stonehenge for years to come.

Getting there: Where possible, please travel to Stonehenge using public transport. The local bus company, Wilts & Dorset, will be running a service from Salisbury railway and bus stations to Stonehenge over the Solstice period. This bus service will commence at 1830 hours (6.30pm) on Wednesday 20th June and run regularly until 0115 hours (1.15am) on Thursday 21st June. A service taking people back to Salisbury will start again at 0400 hours (4am) and run frequently until 0945 hours (9.45am). Access to Stonehenge from the bus drop off point is through the National Trust farmland. More information will be here when available.  Needless to say this service is extremly busy, please allow plenty of time.

From London: Our friends at the ‘Stonehenge Tour Company’ will be offering their usual small group unobtrusive tours to the solstice from London.  There are two services departing London at 4pm and 1am – Click here: ‘Stonehenge Summer Solstice Tour 2012’
Stonehenge summer solstice tours

LINKS: http://www.efestivals.co.uk/festivals/stonehenge/2011/
http://www.english-heritage.org.uk/daysout/properties/stonehenge/explore/summer-solstice-2011/:
http://www.thestonehengetour.info/

TWITTER: Follow Stonehenge on twitter.  Get all the latest news and Solstice updates – http://twitter.com/ST0NEHENGE

FACEBOOK: Join Stonehenge on facebook: http://www.facebook.com/stonehenge.tours

See you all at the Summer Solstice, yipee……………..

Merlin @ Stonehenge
The Stonehenge Stone Circle Website





Romance in the stones as Stonehenge monument tops poll

14 02 2012

It may have been a site of ritual slaughter and Druidic practices but a new poll of the UK’s top romantic locations puts Stonehenge in second place overall but top in England, beating Windermere and King Arthur’s Seat.

Stonehenge Handfasting

Despite its Druidic history Stonehenge has topped a poll of most romantic place in England to propose

The Welsh coastline tops the poll with 24 per cent of those surveyed voting the secluded beaches of the principality as the perfect leap year proposal spot. The Cotswolds, with its picturesque stone cottages and countryside comes third.

The survey, by PCH Prizes, also revealed that twice as many men as women voted for the turf of Wembley as their most romantic location.

Stonehenge has been attracting the spiritual and the curious for 5,000 years and while it may now be deemed romantic for Dorset novelist Thomas Hardy it was a symbol of isolation. In Tess of the d’Urbervilles Tess falls asleep on an ancient stone altar at Stonehenge after murdering Alec d’Urbeville, not the kind of future that leap-year brides are planning.
Source: http://www.thisissomerset.co.uk

Sponsored by ‘The Stonehenge Tour’ www.StonhengeTours.com

Merlin says “Happy Valentines Day, remember it is actually a Pagan festival!

Merlin @ Stonehenge
The Stonehenge stone Circle website








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