Stonehenge monoliths may have been dragged there using greasy sledges lubricated with pig fat

21 07 2019

This new theory is based on pig fat residue on ancient pottery found near the famous monument and fits in with the generally accepted concept that the monoliths were dragged by people all the way from quarries in west Wales.

Stonehenge

Archaeologist Lisa-Marie Shillito say residues of fat on pottery discovered near the monument suggest Neolithic people greased the sleds used to move the huge stones with lard.

  • Scientists claim the enormous stones were dragged using ‘greased sledges’
    Newcastle University archaeologists found fat residues on shards of pottery
    They suggest the same lard could have been used to lubricate the sledges

The pig fat concept was proposed by researchers from Newcastle University after they studied pottery found at Durrington Walls, a Neolithic settlement that is just a couple of miles away from Stonehenge.

According to Science magazine’s Eva Frederick, archaeologists previously posited that the high concentrations of lard left in bucket-sized ceramic containers at the prehistoric village resulted from elaborate feasts hosted by Stonehenge’s builders. Shillito believes otherwise, arguing that the size and shape of the pottery make it better suited for storing animal fat than cooking and serving meals. Additionally, the archaeologist notes in a statement from Newcastle, “The animal bones that have been excavated at the site show that many of the pigs were ‘spit roasted’ rather than chopped up as you would expect if they were being cooked in the pots.”

Analysis of residues of absorbed fat is a widely-used technique which can reveal what foods different type of pottery was used for. There are still many unanswered questions surrounding the construction of Stonehenge’, she says.

‘Until now, there has been a general assumption that the traces of animal fat absorbed by these pieces of pottery were related to the cooking and consumption of food, and this steered initial interpretations in that direction.

‘But there may have been other things going on as well, and these residues could be tantalising evidence of the greased sled theory.

‘Archaeological interpretations of pottery residues can sometimes only give us part of the picture.

‘We need to think about the wider context of what else we know and take a ‘multi-proxy’ approach to identify other possibilities if we hope to get a better understanding.’

RELEVANT LINKS TO THIS STORY:

ROCK SLIDE Stonehenge builders may have ‘dragged rocks into place on sledges greased up with PIG FAT –  THE SUN

Did Stonehenge’s Builders Use Lard to Move Its Boulders Into Place? SMITHSONIAN MAGAZINE

STONEHENGE: NEOLITHIC PEOPLE MOVED ENORMOUS ROCKS USING PIG FAT FOR LUBRICATION, ARCHAEOLOGIST SAYS – THE NEWS WEEK

Stonehenge was ‘dragged into position using LARD’: Massive stones of the 5,000-year-old Wiltshire monument may have been slipped into place using ‘greased sledges’ lubricated with pig fat – THE DAILY MAIL

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The first-ever scale model of Stonehenge that lets researchers explore how the monument would have sounded in its heyday has been created by UK researchers.

12 07 2019

Scientists turn to ‘laser accurate’ model to test Stonehenge acoustics

A diminutive model of Stonehenge could help crack the acoustic secrets of the ancient site, according to scientists who have built a version of the megaliths at a 12th of their size.

sonic

The team say the 1:12 model, with a stone circle spanning 2.6 metres, has an edge over other replicas of Stonhenge, such as the full-scale one near Maryhill,Washington, for being based on laser scan data. The data collected by Historic England allowed the team to produce a highly accurate representation.

Academics worked with English Heritage using laser scans of the stones and architectural research to create the shape and position of the stones in an acoustic chamber.

In 2012, a team of academics carried out acoustic experiments using a full-sized concrete reconstruction of the monument in Maryhill in the United States.

RELATIVE LINKS: 
Scientists turn to ‘laser accurate’ model to test Stonehenge acoustics.  THE GUARDIAN
Stonehenge mini model reveals sound of monument.  BBC NEWS

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The Quarter Festivals and the Druids

9 07 2019

Public access to Stonehenge currently takes place on four of the so-called ‘quarter festivals’. What exactly are the quarter festivals? And why are these occasions so celebrated by the Druids?

Druids: Stonehenge Summer Solstice

Quarter festivals are sets of four dates that divide the year into four equal quarters. The dates when Stonehenge has open access to the public are the solar quarter festivals, defined by the movements of the sun. The summer and winter solstices (usually 21 June and 21 December) are the days when the noontime sun is, respectively, highest and lowest in the sky and so the hours of daylight are, respectively, their longest and their shortest. The spring and autumn equinoxes (usually 21 March and 21 September) are the dates when the sun rises exactly in the east and sets exactly in the west and so the night and day are of equal length. These observable facts about the sun in the sky have made these points in the calendar sacred times in cultures all over the world – including at Stonehenge, whose axis is aligned to the directions of summer solstice sunrise and winter solstice sunset.

Druids: Stonehenge Summer Solstice

Druids: Stonehenge Summer Solstice

But there’s another set of quarter festivals – fitting in between the solar festivals – that were celebrated by the ancient Celts. They’re known as ‘lunar festivals’ because they were determined by the full moon. They didn’t fall on regular calendar dates like the solar festivals, since the cycles of the moon don’t match exactly with the calendar of the year defined by the sun’s movements (in reality the earth’s orbit around the sun). However, in modern usage these four originally lunar festivals have gained fixed calendar dates. Using the Irish terminology, the two most important are Samhain (31 October) and Beltane (1 May), which divide the year into summer and winter halves. The other two are Imbolc (1 February) and Lughnasa (1 August).

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The fixing of their dates links these four festivals to the corresponding Christian festivals and names by which they’re best known in English. Imbolc has become St Brigid’s Day, and the following day, 2 February, is Candlemas. Lughnasa corresponds to the harvest festival of Lammas. Samhain has become Halloween, the eve of All Saints’ Day, also known as Hallowmas. Of the four festivals, Beltane – May Day in English – has perhaps best preserved its pagan origins in the perennial customs of maypoles and may queens, although in modern times it has gained a new significance as Labour Day, the holy day of socialism.

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The lunar festivals were also called ‘fire festivals’ because the ancient Celts celebrated

them with bonfires. The establishment of Bonfire Night on 5 November shifted the fires of Halloween by a few days and attached to them a new political significance. In my view, it’s high time that British custom got over its symbolic need to demonise Roman Catholics (as represented by Guy Fawkes) and moved the bonfires back to Halloween where they belong. In Celtic – especially Irish – tradition there are many stories associated with the lunar festivals, especially with Samhain, when the veil between this world and the otherworld is very thin – a great opportunity for adventures back forth between the worlds.

 

Modern Druids conduct ceremonies on the four lunar festivals in the tradition of the ancient Celts. They also conduct ceremonies on the four, more universal, solar festivals. This makes a total of eight quarter festivals that provide the backbone of the Druids’ sacred calendar. It is thanks to modern Druids’ custom of doing ceremony at Stonehenge on the solar festivals that public access has been negotiated on those days. I understand that the Druids are also conducting ceremonies near Stonehenge on the lunar festivals too, in order to establish a custom of religious usage in this location which they hope in time will enable public access on these four dates as well.

Article by guest blogger and author/storyteller Anthony Nanson.  Sponsored by Stonehenge Guide Tours

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